Die Ölgemälde alles Gerrit van Honthorst

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95805

Adoration of the Child

circa 1620(1620) Medium oil on canvas cyf

2439

Adoration of the Shepherds

1622 Wallraf-Richartz Museum, Cologne

56053

adoration of the shepherds

mk247 1622,oil on can vas 64x74 in,164x190 cm,wallraf richartz museum,cologne,germany

23993

Apolllo and Dianana (mk25)

1628

75543

At the Staatliche Museen

St Peter Released from Prison. At the Staatliche Museen, Berlin. Date 1616-1618 cyf

2441

Childhood of Christ

1620 The Hermitage, St.Petersburg

43139

Christ Before the High Priest

mk170 circa 1617 Oil on canvas 272x183cm

79814

Concert Detail

between 1626(1626) and 1630(1630) Medium Oil on canvas cyf

79714

daughter of Frederik Hendrik

1647 Medium Oil on canvas Dimensions 302 x 194 cm (118.9 x 76.4 in) cyf

67313

den tvivlande thomas

84324

Der verlorene Sohn

1623 Medium Oil on canvas Dimensions 125 x 157 cm (49.2 x 61.8 in) cyf

79062

Friedrich Wilhelm

1647 Medium Oil on canvas Dimensions 302 x 194 cm (118.9 x 76.4 in) cyf

45662

Frobliche company

mk186 1622 Munchen, old Pinakothek

80168

Henrietta Catharina

1647(1647) Medium Oil on canvas Dimensions 263.5 x 347.5 cm (103.7 x 136.8 in) cyf

79540

Merry Fiddler

1623 Medium Oil on canvas Dimensions 107.2 x 88.3 cm (42.2 x 34.8 in) cyf

83219

Portrait of Amelia van Solms

1630s Medium Oil on canvas Dimensions 73.4 x 60 cm (28.9 x 23.6 in) cyf

76742

Smiling Girl

Date 1625 Medium Oil on canvas Dimensions 31 15/16 x 25 5/16 in. (81.2 x 64.3 cm) cyf

2437

The Concert

1624 Musee du Louvre, Paris

2440

The Concert

1625 Galleria Borghese, Rome

76760

The Concert

Oil on canvas, 168 cm x 178 cm cyf

20358

The Concert (mk05)

Canvas,66 1/4 x 70''(168 x 178 cm).An overmantel from the Palace of Nordeinde,The Hague.From the collection of the Stadhouder,The Hague,1795 INV

76539

The Concert Detail

1626 - 1630 Medium Oil on canvas cyf

85589

The Denial of St Peter

1612-1620 Medium Oil on canvas Dimensions 150 x 197 cm (59.1 x 77.6 in) cyf

21721

The Incredulithy of St Thomas (mk08)

c.1620 Oil on canvas. 125x99cm Madrid,Museo del Prado

33689

The Incredulity of St Thomas

mk86 c.1620 Oil on canvas 125x99cm Madrid,Museo del Prado

95466

The Liberation of St Peter

between 1616(1616) and 1618(1618) Medium oil on canvas cyf

2438

The Merry Fiddler

1623 Rijksmuseum, Amsterdam

78855

The Merry Fiddler

1623 Medium Oil on canvas Dimensions 107.2 x 88.3 cm (42.2 x 34.8 in) cyf

2436

The Tooth Puller

1628 Musee du Louvre, Paris

20356

The Tooth Puller (mk05)

1628 Canvas,51 1/4 x 73 1/4''(130 x 186 cm).Acquired in 1930

20955

Utrecht (mk05)

1590-1656 Christ in the Carpenter's Shop ca 1620 (Inv No 5276)Oil on canvas 54 x 73''(137 x 185 cm)(Ex coll.P.P Durnoi,Leningrad 1925)

81788

Willem III op driejarige leeftijd in Romeins kostuum

1654(1654) Medium Oil on canvas Dimensions 116 x 93 cm (45.7 x 36.6 in) cyf

Gerrit van Honthorst

1590-1656 Dutch Gerrit Van Honthorst Galleries Gerard van Honthorst (November 4, 1592 - April 27, 1656), also known as Gerrit van Honthorst and Gherardo della Notte, was a Dutch painter of Utrecht. He was brought up at the school of Abraham Bloemaert, who exchanged the style of the Franckens for that of the pseudo-Italians at the beginning of the 16th century. Margareta Maria de Roodere and Her Parents by Gerrit van Honthorst (1652) Oil on canvas, 140 x 170 cm. Centraal Museum, UtrechtInfected thus early with a mania which came to be very general in the Netherlands, Honthorst went to Italy in 1616, where he copied the naturalism and eccentricities of Michelangelo da Caravaggio. Home again about 1620, after acquiring a considerable practice in Rome, he set up a school at Utrecht which flourished exceedingly. Together with his colleague Hendrick ter Brugghen, he represented the so-called Dutch Caravaggisti. In 1623 he was president of his gild at Utrecht, where he had married his cousin. He soon became so fashionable that Sir Dudley Carleton, then English envoy at The Hague, recommended his works to the earl of Arundel and Lord Dorchester. In 1626 he received a visit from Rubens, whom he painted as the honest man sought for and found by Diogenes. The queen of Bohemia, sister of Charles I of England and electress palatine, being in exile in the Netherlands, gave Honthorst her countenance and asked him to teach her children drawing; and Honthorst, thus approved and courted, became known to her brother Charles I, who invited him to England in 1628. There he painted several portraits, and a vast allegory, now at Hampton Court, of Charles and his queen as Diana and Apollo in the clouds receiving the duke of Buckingham as Mercury and guardian of the king of Bohemia's children. Charles I, whose taste was flattered alike by the energy of Rubens and the elegance of Van Dyck, was thus first captivated by the fanciful mediocrity of Honthorst, who though a poor executant had luckily for himself caught, as Lord Arundel said, much of the manner of Caravaggio's colouring, then so much esteemed at Rome.

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